Despite this vision of an archetypal natural paradise, most of the Vaishnava poets even going back to the original foundational works of Krishna mythology like the Bhāgavatam make no explicit link between their theological concepts of Vrindavan as a dhāma, or “penumbra” of the Lord, or the kinds of discourse that exist in modern ecological thinking. However, since Vrindavan is understood as a specifically divine locus integral to their theological idea that the wholeness of Deity the includes the natural surroundings of an earthly paradise, i.e., nature, it seems to naturally serve as the ontological basis for a particular environmental perspective growing out of the worldly Vrindavan of today.
param dhan raadha naam aadhaar- Shri HariRamVyasJi's Pad
param dhan raadha naam aadhaar |
jaakau shyaam muralee mein terat, sumirat baarambaar ||
jantr, mantr aur ved tantr mein, sabhee taar ko taar |
shree shuk, pragat kiyoo nahin jaen, jaanee saar ko saar ||
kotin roop dhare nandanandan, tou na paayau paar |
vyaasadaas ab pragat bakhaanat daari bhaar mein bhaar ||
Shree Hariramvyasji says that name of Lord Radha Rani is only our ultimate treasure. The name which Lord Krishna often chants through his flute, and repeatedly meditates. This chanting is peerless among all in all types of scriptural(vedic) hymn, instruments and rituals and it is always of paramount importance and super mysterious. Lord Shukdev Paramhans did not disclose it ('Radha' name) thinking it as the ultimate epitome of scriptures. Lord Krishn even possessing crores of divine form couldn't find limit of 'Radha' name. HariRam Vyas says that assuming it as a grace of Radha rani now he disclosed it ( 'Radha' name) because he couldn't live without this, he doesn't care about anything else.
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